Ace these model poses with 10 key tips


Photographers are challenged day after day with one of the most difficult facets of the job: the model poses for the subject. In this article, we’ve listed the important positioning and placement for certain model poses to work for both the model and the photographer.

Even photographers with many shots to their credit know that when a model walks past your lens for the first time, they expect direction. It’s up to the photographer to give the right advice, otherwise your images will just be insufficient.
A lot of photographers have to shoot ordinary people who are not models and we have to make them look like models.

There is nothing more embarrassing than when a new inexperienced model poses with a silent photographer. Your team is not just dependent on you, but also on your peers and clients. It’s a lot of pressure, but a great image can be captured by following a few of these “ground rules”.

Sometimes models make mistakes. The first common instinct for a new model is to place their hand on their hip and lift their chin very high (to expose a “long” neck after looking at the ANTM too much) and give a sort of empty expression of anger. . #model mode?
This is so wrong. The hand on the hips reek of the ‘hello I’m a sorority’ attitude and the high chin can lengthen the neck, but it does nothing to help the jawbone, and it all makes you and the model look Not professional.

So what can you do when subjects have no experience with basic model poses or controlling their faces for the camera? Find out how to pull off those modeling poses and get behind the wheel to really take control.

Tip 1: open your mouth

When the subject or model opens their mouth, it creates a completely different mood, a different feeling and, therefore, a different photograph. With model poses where the mouth is closed, the jaw contracts and adds extra weight to the sides of their face. It can also impart negative energy to an image like a bored neutral look. When the mouth is opened slightly, the jaw lengthens and ends up giving the photograph a subtle intimate invitation to the viewer.

Tip 2: Pull your chin (or ears) forward

A camera can only see two dimensions. A two-dimensional shot means that a photograph is not three-dimensional unless it is taken in three dimensions. So a tip to help you out is when a model pushes her chin forward and then down. Then it is turned directly to the camera, from the photographer’s point of view, the jaw is extended and stronger lines are formed. However, if the model moved to their side profile, it would look like a turtle poking its head out of its shell. This can seem incredibly awkward for the model, so be aware of the model’s torso and position before asking her to pull her chin down.

Here’s another point: when someone is standing in their normal relaxed position, or even standing up straight for good posture, there is a little fat right under their chin. No matter how skinny some models are, you will see it. If you tell people to put their chin out, which seems like the right thing to do, they point their chin towards you, which brings their face up and ends up pulling your nostrils out, but that’s not it. not attractive either. Instead, try telling your model to bring their ears forward.

It is the technique applied from the point of view of a male subject. He is young, very fit and athletic, but our natural human demeanor is not very photogenic thanks to the fat under his chin in the image on the left.

That being said, don’t lift your head too high either in an attempt to expose your neck (see image below)

Tip 3: turn your shoulders

This is very simple but important advice. Shoulders are so often overlooked, but really play a crucial role in framing a model’s face. Lifting one shoulder forward can make all the difference, especially in beauty photoshoots. The simple act of raising one shoulder higher than another will add another dimension and power to the image.

This is because when your subject looks at the front-facing camera, he or she tends to appear fatter. It’s good when photographing a soccer player or the CEO of a large corporation, but it doesn’t look good when photographing portraits or portraits. Once your subject turns, they show a slimmer profile of themselves to the camera and appear slimmer.
The red line shows the full width of the model when standing straight ahead. A little twist to the side results in a photo that is still the subject facing the camera, but in a thinner profile, the magic is all in the trick!

Tip 4: shake those stone feet

When it comes to fashion photography, shoes also tend to be a crucial piece in addition to the wardrobe. So often they tend to get overlooked often as the legs and feet are never easy to put down. Most photographers will try to avoid the whole body shot and go right for an easy three-quarter image tip. But, when you need to capture the whole body and the shoes, implement some form of movement trying to get the model moving. Have him jump, walk, lunge, and shake with heavy feet. A simple trick is to ask the model to simply walk forward or pace in a continuous fashion.

Tip 5: Ballet Hands

Hands are one of the difficult aspects of modeling and can make or break a picture. When done correctly, the model essentially relaxes her hands as if it were a ballet, slightly spreading the fingers, slightly broken at the joints (see image). From there, depending on the aesthetic and style of the shot, the hands should be placed in a position that works with the image. Under the chin, over the shoulder, to the side or through the hair, there are other options for hand model poses.

Tip 6: lay the hair

Usually, we don’t usually think of hair as a part of the body that we can control unless you’re a professional hairstylist, but the good news is, you really can! Let’s say you are photographing a person with long hair, then the first thing everyone notices about your photo is how well groomed or styled the hair is. There are no rules as to what looks perfect and well photographed. Everyone will look different with their hair in a different way, right girls ?.
Imagine doing a basic portrait session without makeup artists or hairdressers. Remember that the hair sitting on the shoulders looks terrible, this is the most important. If the hair is resting on their shoulders, it looks wild and like you need to do something with it.
Let’s see some examples:

Hair on the shoulders (# 1) should be avoided at all costs. The other hair positions have their style depending on your model and the look you are trying to achieve. With hair on both sides (# 4 and # 5), this is a natural part of a person’s hair and will make one side look better than the other.
In general, just keep in mind that you want their part to be facing the camera so that more of their face is included. For this, see (# 6) so that we can more easily see the installation instructions without distraction. A lot of women see ponytails as the casual ‘day off’ hairstyle, but they actually look very pretty in portraits and portraits because you get a clear view of their face.

Tip 7: lift, lift, lift the arm

When we hold each other naturally, another thing we do is hold our arms flat at our sides. This poses several problems in the photo. Firstly, it makes them awkward and uncomfortable in the photo. Second, their arm presses against their torso and crushes the arm and makes it appear bigger than it actually is.

Correct this by having the model lift the arm an inch or two so that it “floats” and is not pressed against the body. Otherwise, put his hand so that the arm is in a different position, like putting his hand on the hip. In the image below, you can see how much smaller the arm becomes when not pressed against the body.

Tip 8: Lower yourself while shooting

One mistake that many photographers tend to make is to ignore their own height altogether and photograph a model from above or at eye level. Instead, while shooting three-quarters or full body, get down to the ground and shoot high. This method of shooting not only increases the height of the model, but also creates a more dramatic “hero” look for the image and the model poses tall. This type of positive reinforcement is everything. If you don’t speak you don’t realize and if you don’t realize you don’t get the hang of it! Play on the model’s confidence and after every 2-3 snaps, hype a “buzzword” like “fabulous, awesome, beautiful, excellent, or love”, tastefully, of course.

Tip 9: Follow the nose

All amateur models may instinctively feel the urge to keep their eyes on the camera, but they should prefer the other way around. A model peeking off camera plays with my structured aesthetic; we constantly hear “follow your nose with your eyes” as this reduces the amount of white in the eyes and eliminates the annoying rotating eyeball. Also, we still want to see the color, contrast and catch the lights in the eyes, if the model just follows their nose, the color and catch of the lights will be there.

Tip 10: don’t let the nose break your face

Since you don’t want your subject facing forward, you rotate them sideways. Assuming you don’t want a full profile where you only see one side of the face, they’ll be a quarter-turn with both eyes in the frame. If you can draw an imaginary line on the side of his face, that line forms the imaginary line that cannot be crossed by his nose.

Now, if the model poses in such a way that she turns too far and the nose crosses this line, it “breaks” the natural curve of the face. It creates the “Pinocchio” effect and lengthens the length of their nose. To avoid this, have him turn towards you slightly, until you can see a bit of space between the tip of his nose and the side of his face. You don’t want to break that line or it makes them look like they have disproportionate facial features.

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